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kuwayama
- kijima / 02.08.31 ( CD by trente oiseaux Germany ) |
kuwayama
kiyoharu : cello
kijima rina : violin
recorded at the warehouse no 20 ,garden pier in port
of nagoya |
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Japanese Duo Kuwayama
- Kijima have recorded their second release for
Trente Oiseaux in an empty warehouse at Nagoya Port.
The sound of
crickets and waves picked up by microphones placed outside
the building
were transmitted into the space, where Kuwayama and
Kijima played along
with them, taking advantage of the natural reverb of
the space,
and changing their position in it while playing. Compared
to to Kuwayama - Kijima
Õs first release on Trente Oiseaux, where cars going
over a mid-night highway
bridge provided a very vivid ambience, this recordingÕs
atmosphere is much
quieter and more static, thus drawing more attention
to the duoÕs excellent
playing, and providing a kind of pea-ceful canvas if
front of which they pursue
their musical and sonic explorations. 02.08.31 is a
record that asks the listener
to pay close attention and to become immersed in the
ongoing transformations
of sounds and musical figures - when this attitude is
taken, listening to the record
is a very gratify-ing experience.
02.08.31 is scheduled for release in early April 2003.
bernhard gunter, January 2003
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Reviews
kuwayama - kijima / 02.08.31
Recorded 14 months after 01.16.16, the Kuwayama Kijima
duo's second opus for Bernhard Gunter's Trente Oiseaux
label consists of another session of site-specific free
improvisation. The cellist and violinist have traded
the busy background (actually, overground) of a highway
bridge for the damp calm of an abandoned warehouse.
The reverb of the empty building and the sound of water
drops falling in puddles give the music a cold, dark
feel it probably wouldn't have in the studio. This is
backdrop, setting. Kuwayama Kiyoharu and Kijima Rina
don't integrate these sounds into their playing; they
play for them. And once again they do so with fragility,
lyricism and a special way to stretch conventional instrumental
techniques without getting dry. Their long pieces work
out the best, as they have a chance to wrap up the listener
into their plaintive song. Because this pair use arco
playing almost exclusively, the way the sounds swell
up \ thanks to the reverb-heavy acoustics \ has a
narcotic effect. Even when they get feverish, the music
remains somewhat sedated, letting you draw closer and
closer to the center of this unusual chant. 02.08.31
f," the last piece on the disc (but there is a
02.08.31 g" before it), hits a creative peak when
Kijima starts shifting between too much pressure on
the bow (resulting in a screechy sound) and a feather-like
touch. One can find the dripping water annoying, but
if recording on site is what allows these musicians
to improvise so well, this reviewer heartily agrees
with the stratagem. \ Francois Couture
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KUWAYAMA
- KIJIMA: 02.08.23
Trente Oiseaux | TOC032 | CD
A new collaboration between Kuwayama Kiyoharu (cello)
and Kijima Rina (violin), featuring recordings made
late August 2002 at a warehouse on the port of Nagoya.
As with their other recordings (see, for example, 01.06.16,
also on Trente Oiseaux, reviewed in Issue 054), location
plays a big part in the performance, the sounds of their
performance environment finding their way into the recording,
as the two players perform around them, sensitive to
their various qualities, their appearances and disappearances,
their fluid nature. Here, especially in the opening
pieces, the sounds of water, dripping, falling in uneven
movements, clusters of droplets, are heard as the cello
and violin sound their tense, delicate tones. Later,
it's just the echoes of the warehouse; one imagines
it's vast spaces, probably abandoned, with high ceilings
and concrete walls. The music itself is sometimes tranquil,
sometimes tense and uneasy; the first 3 tracks being
the most intriguing for me, the pieces that seemed like
they were exploring more ideas, the interactions with
the natural sounds becoming more immediate, each strike
commenting on the last, anticipating the next. At other
times, listening to the latter pieces on the disc, it
seemed that not much is going on, as if the two players
just kept on going, appearing to lack any defining structure
to anchor their progress. This music still manages to
capture a unique energy, however, a careful cooperation
of elements, sensitivities, tonalities. The unique aspects
of this performance space brings something new to their
work and has drawn out some new ideas and strange tensions,
although my feeling is that in this case a full length
might not have been necessary to explore them. [Richard
di Santo] |
Kuwayama-Kijima:
02.08.31 CD
One might have noticed that Kuwayama-Kijima use the
date to name their
albums. After 01.05.10 on Alluvial Recordings and the
first album 01.06.16
on Bernhard Gunter's Trente Oiseaux label, the Japanese
duo consisting of
Kuwayama Kiyoharu, who plays cello and Kijima Rina,
who plays violin
delivered another lovely improv album. Compared to both
previous albums,
02.08.31 is much calmer and more introvert. Especially
the first part of
the album is quite atmospheric and almost meditative.
The artists placed microphones at the pier outside the
building to
transmit the sound of waves, water, insects, and an
occasional ship motor
into the space they were playing in. The recordings
took place in a
warehouse again, which give the album a spacious effect.
The music breaths a feeling of lonelyness as if nothing
else exists except
from nature.
The second part of the CD, which is more intense and
more hectic, can be
compared with the music on 01.05.10, nevertheless this
album has a better
soundquality.
Phosphor |
KUWAYAMA
/ KIJIMA - 02.08.23 (CD by trente oiseaux)
Once again these two Japanese string playes have embarked
on a tour
of Nagoya city. This time they have found an abandoned
warehouse in
the port area. In this warehouse they have made the recordings
for
this CD. Of course the acoustics of the location play
an important
role in the work, as well as other wanted environmental
sound events.
In this case there are two sounds up front: water and
cycadas. The
water is not so strange, because the place is in the port
and the
cycada's make me guess that the 08 in title refers to
august. As
always the pieces are very well done, concentrated and
absolutely to
the point. These two have mastered great skills on their
instruments
as well as improvising with each other, this is clear
from the start.
It is also no wonder that this work is released on this
label: there
is is strong sense of timelessness to it, one listens
and at a
certain moment, time seems to have gone somewhere else
and one wakes
up from a state of sleepy wakefulness. Very strange indeed.
But also
high qualtiy stuff. (MR)Vital Weekly. |
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