KIYOSHI
MIZUTANI & KIYOHARU KUWAYAMA / INTERLUDE ( CD 2011
either/OAR USA ) |
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and/OAR
(via either/OAR) is very pleased to present what is
without a
doubt among the very best of both artist's electronic-based
work.
Throughout much of this highly charged release, brooding
clouds of
swarming tones and drones envelope the listener, either
inducing a
hypnotic trance or a deep contemplative listening state.
This work is the result of a mail exchange. At first,
Kiyoshi created the
feedback sound in the studio using a suspended microphone,
mixer and
some effects. Sometimes drum sticks, steel and wooden
chair were used
to influence the sound. Kiyoshi's recorded sound was
sent to Kiyoharu who
then processed the materials and edited and mixed the
sound with his
own materials. |
Reviews
There is, like with most releases by Kiyoharu Kuwayama
not a lot of information on the cover (or websites)
with details about the recording, but more than some
other times. Kiyoharu Kuwayama plays "handmade
electronics, contact mic & mix" and Kiyoshi
Mizutani just gets credit for feedback. Mizutani was
in the 80s a member of Merzbow, and after leaving Merzbow
he did a couple of releases, ranging from the heavy
noise field to field recordings, including collaborations
with Daniel Menche and Hideaki Shimada. Kuwayama is
perhaps best known as Lethe and has created a bunch
of releases that deal with large spaces in which he
plays cello, metal objects and electronics. This release
with Mizutani is one that was generated through mail,
which I think is a rarity in his catalogue. Mizutani
recorded feedback using a suspended microphone, mixer
and effects, influencing the sound with drum sticks,
steel and wooden chair. Kuwayama then processed this
material and did further editing.
The result is excellent. The feedback produced by Mizutani
is never 'loud and dirty' as one could easily think
these things would be (think harsh noise walls), but
refined and varied. The sustained sounds move through
your home space in an excellent way, and Kuwayama treats
them with great care. The ten pieces flow into each
other and form a great unified wholeness, which reminded
me of the best of Arcane Device. A highly varied disc
of music, excellent treatments and fine composition.
(FdW) Vital Weekly 801
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Interlude
est le reLsultat d'une collaboration par mail entre Kiyoshi
Mizutani
et Kiyoharu Kuwayama (Lethe), le premier aux larsens,
et le second a`
l'eLlectronique "fait maison". Le duo offre
une musique eLtrange et
inattendue, une musique calme et sereine faite de nappes,
de drones, et
de freLquences tenues longuement. Comme une sorte de
noise tonale,
une noise qui aurait trouveL ses repe`res et se complairait
a` l'inteLrieur de
son cadre. Car la musique de ce duo n'est jamais agressive,
elle est bien
au contraire pluto^t meLditative et contemplative. Une
musique ou` Lethe
fait tre`s attention aux propositions de Mizutani et ta^che
de ne jamais
jouer contre lui, mais toujours avec, dans une sorte d'osmose
complaisante et autosuffisante. Pendant une heure, le
duo livre une suite
de courtes pie`ces aux ambiances toujours diffeLrentes,
aux sonoriteLs
statiques ou organiques, ultra basses ou tre`s aigueNs.
Des univers qui
changent a` chaque fois de tonaliteLs mais qui en me^me
temps se
ressemblent toujours, car on est a` chaque fois dans une
atmosphe`re
caracteLriseLe par l'eLtrangeteL et l'alteLriteL,
chaque pie`ce forme en effet un
univers surprenant, autre, et singulier; un univers auquel
on n'est pas
habitueL et qui semble surgir de nulle part. Vagues de
larsens et drones
statiques participent a` des atmosphe`res litteLralement
inouiNes, renforceLes
par la distance qui a seLpareL les musiciens durant
l'enregistrement.
10 pie`ces qui naviguent entre une plane`te industrielle
et liquide, une
plane`te reLgie avant tout par des sons autosuffisants,
une plane`te ou` la
lumie`re est deLrisoire, car l'ambiance est souvent sombre
et obscure,
froide mais vivante. Que dire de plus, Interlude est surtout
un album
curieux pour les gens curieux d'expeLriences nouvelles,
un disque assez
accessible et pas trop extre^me. (Julien Heraud)
IMPROV SPHERE (OCTOBER 2011) |
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